- The Electronic Exchange
Second Shift
CM012"A masterful exercise in pure, unfettered musical collaboration...beguiling Portishead-meets-Flying Lotus-meets-Twin Peaks soundscapes" Manchester Evening News, October 2011
- Richard Knight
Sleight of NAND
CM011“Of greatest interest is his ability to smoothly move from percussion-led breaks to drone-led concrete and back, via glitch, looped beats…using the studio itself to create ‘natural’ feedback. Reminds me of Johnny Greenwood’s Bodysong soundtrack; can’t be a bad thing.” High Voltage
- The Electronic Exchange
CM010“a twisted electronica beauty”
BBC Manchester Introducing
“minimal glitches and wall-shaking bassline rumbles. Najia’s vocal delivery is not too dissimilar to Beth Gibbons at her angsty best”
Now Then Manchester - alexis + olly
spring leaves to winter snow fall
CM009Alexis himself describes the record. “Olly came to luxembourg to record some songs between the forests in spring; as the leaves turned, soundscapes emerged; a selection of songs nestled amongst passing seasons”
- Levenshulme Bicycle Orchestra
Nine Doors
CM008“a Faust-like mixture of ritualised musical theatre and collective improvisation… a scrapyard gamelan conjuring a post-industrial – even post-apocalyptic – North of England… stumbling rhythms that echo some of the trash-kitsch of Swordfishtrombones-era Tom Waits.” The Wire Magazine
- Rodrigo Constanzo
Jew Point Owe
CM007 - cottrell/findlay/hunter
CM006 - Tullis Rennie
BCN_ep
CM005 - The Red Box
The Radioactive Princess
CM004 - findlay_hunter_rennie
CM003 - alexis
the mists
CM002 - premix concrete one
CM001
