Everyone involved with Concrete Moniker was pretty stoked to learn that our favoured music monthly The Wire deemed Nine Doors worthy of review.

“a Faust-like mixture of ritualised musical theatre and collective improvisation… a scrapyard gamelan conjuring a post-industrial – even post-apocalyptic – North of England… stumbling rhythms that echo some of the trash-kitsch of Swordfishtrombones-era Tom Waits.”

Have your own adventures in modern music here